BBC News regularly proclaims its supposed editorial principles of fearless, independent, impartial, fair and accurate journalism. In a January 2023 speech to the Whitehall & Industry Group in London, then BBC Chairman Richard Sharp boasted that BBC journalism is the ‘global gold standard’ of credible news reporting.

Two years previously, in 2021, the public broadcaster had proudly published a focused, 10-point plan to ensure the protection of the highest ‘impartiality, whistleblowing and editorial standards’. BBC director general Tim Davie asserted:

‘The BBC’s editorial values of impartiality, accuracy and trust are the foundation of our relationship with audiences in the UK and around the world. Our audiences deserve and expect programmes and content which earn their trust every day and we must meet the highest standards and hold ourselves accountable in everything we do.’

When it comes to the broadcaster’s coverage of Gaza since October 2023, and long before, BBC audiences have seen for themselves the hollowness of such BBC rhetoric.

For example, the BBC’s withdrawal of its own commissioned powerful documentary, Gaza: How to Survive a Warzone, earlier this year epitomised how much the UK’s national broadcaster bends to the will of the Israel lobby. The BBC dropped the documentary from iPlayer, soon after it was broadcast on BBC Two on 17 February, when it emerged that the film’s narrator, 13-year-old Abdullah al-Yazuri, is the son of Ayman al-Yazuri, a deputy minister of agriculture in Gaza’s government which is administered by Hamas. The film was withdrawn after a campaign by pro-Israel voices, including David Collier, a self-described ‘100 per cent Zionist’ activist, Tzipi Hotovely, Israel’s ambassador to the UK, and Danny Cohen, a former director of BBC television, who said that the broadcaster ‘is at risk of becoming a Hamas propaganda mouthpiece.’

Another documentary, Gaza: Medics Under Fire, made by Oscar-nominated, Emmy and Peabody award-winning filmmakers, including Ben de Pear, Karim Shah and Ramita Navai, has been held back by the BBC, even though it had been signed off by BBC lawyers. The film includes the testimony of Palestinian doctors working in Gaza under Israeli bombardment. It has been ready for broadcast since February after months of editorial reviews and fact-checking.

Over 600 prominent figures from the arts and media, including British film director Mike Leigh, Oscar-winning actor Susan Sarandon and Lindsey Hilsum, the international editor of Channel 4 News, have signed an open letter criticising the BBC for withholding the documentary:

‘We stand with the medics of Gaza whose voices are being silenced. Their urgent stories are being buried by bureaucracy and political censorship. This is not editorial caution. It’s political suppression. The BBC has provided no timeline, no transparency. Such decisions reinforce the systemic devaluation of Palestinian lives in our media.’

This, of course, is all part of an endemic pattern of BBC bias towards Israel under the guise of ‘impartiality’; a façade that has now been obliterated. The corporation’s longstanding, blatant protection of Israel, considered an ‘apartheid regime’ by major human rights organisations, has been particularly glaring since Benjamin Netanyahu’s extremist government ordered genocidal attacks on Gaza in October 2023.

The public has been subject to repetition and amplification of the Israeli narrative above the Palestinian perspective. Moreover, the broadcaster regularly omits ‘Israel’ from headlines about its latest war crimes committed in Gaza and the West Bank. Another remarkable feature of the BBC’s performance has been the dismissive treatment by senior BBC management of serious concerns about bias raised by their own journalists. A very brief summary of the BBC’s biased reporting on Gaza, and criticism by some of their own journalists, can be found in this thread on X. The essential conclusion concerning BBC News coverage of Gaza, wrote one dissident BBC journalist, is that of:

‘a collapse in the application of basic standards and norms of journalism that seems aligned with Israel’s propaganda strategy.’ [Our emphasis]

BBC management have ignored or dismissed ‘a mass of evidence-based critique of coverage’ from members of staff. So much for the BBC’s claimed commitment to taking whistleblowers seriously.

Karishma Patel, a former BBC researcher, newsreader and journalist, wrote earlier this year about her reasons for leaving the BBC. She observed ‘a shocking level of editorial inconsistency’ in how the BBC covers Gaza. Journalists were ‘actively choosing not to follow evidence’ of Israeli war crimes ‘out of fear’.

In a follow-up article last month, she observed that:

‘many [BBC] journalists are afraid to speak their minds – to challenge editorial decisions or speak freely to powerful presenters and executives. This isn’t a newsroom environment conducive to robust journalism – a profession all about the pursuit of truth and accountability.’

She added:

‘It’s important the public understands how far editorial policy can be silently shaped by even the possibility of anger from certain groups, foreign governments, our own government, mega-corporations – any powerful actor – and how crucial it is that more junior journalists who see it can speak up.’

‘A Precious National Asset’

Last week, the BBC’s director general warned of a disinformation ‘trust crisis’ that was putting ‘the social fabric’ of the UK ‘at risk’. Tim Davie pointed the finger at social media platforms such as TikTok and YouTube where, as a Guardian report on Davie’s speech put it, ‘disinformation can go unchecked’. We have previously written (for example, here and here) about how ‘mainstream’ editors and journalists love to point at social media as prime purveyors of disinformation, diverting attention from their own culpability in much larger crimes of state-approved propaganda that fuels wars, the erosion of democracy and climate catastrophe.

Davie said:

‘The future of our cohesive, democratic society feels for the first time in my life at risk.’

He called for ‘strong government backing’ for the BBC as a ‘precious national asset’ to be ‘properly funded and supported’. The fact that the BBC has itself massively contributed to a ‘trust crisis’ in disinformation and propaganda, encapsulated by its complicity in Israel’s genocide, went unmentioned, of course.

The late, great journalist John Pilger put it succinctly in an interview with Afshin Rattansi:

‘The BBC has the most brilliant production values, it produces the most extraordinary natural history and drama series. But the BBC is, and has long been, the most refined propaganda service in the world.’

Daily examples abound of why the public should regard BBC News with deep scepticism. On 12 May, BBC News at Ten reported the release of US-Israeli dual citizen Edan Alexander by Hamas. Senior BBC reporter Lucy Williamson said that Alexander had originally been ‘kidnapped as a soldier’. The terminology is deceptive: civilians are kidnapped; soldiers are captured. Why did BBC editors approve this loaded use of the wrong word, ‘kidnapped’?

Consider another example. Richard Sanders, an experienced journalist and documentary filmmaker, noted via X on 15 May that the BBC had included this line in one of its news bulletins:

‘Israel says a hospital [in Gaza] along with a university and schools … have become terrorist strongholds for Hamas’.

Sanders commented:

‘The BBC knows such statements are untrue. Yet that sentence took up more than a third of its 22 sec 7.30 am news bulletin on Gaza – with no rebuttal.’

He added:

‘8am they go to [BBC] correspondent Yolande Knell for a lengthier report. She repeats exactly the same sentence – again, with no rebuttal.

‘The listener is left with the entirely false impression it’s perfectly possible it’s true.

‘Bad, bad journalism.’

And yet this is standard BBC ‘journalism’: the ‘global gold standard’, remember.

Jeremy Bowen, the BBC’s international editor, is supposedly an exemplar of this gold standard. But his capitulation to the Israel lobby is repeatedly apparent in his interviews and articles. Media activist Saul Staniforth captured this clip where a BBC presenter said to Bowen:

‘[Netanyahu is] looking for other countries to take in Gazans’.

Bowen responded: ‘Well, that’s called…’

He then paused momentarily and continued: ‘… that will be called, by Palestinians and by a lot of people around the world, ethnic cleansing.’

Bowen presumably stopped himself simply stating the truth: ‘that’s called ethnic cleansing.’ This is what he would have said in any context involving an Official Enemy, such as Russia, rather than the Official Friend, Israel.

Jonathan Cook dissected an even more egregious example of Bowen’s favouring the Israeli perspective when the BBC journalist interviewed Philippe Lazzarini, head of United Nations refugee agency UNRWA. Before airing the interview, Bowen introduced the Lazzarini interview with a contorted cautionary statement:

‘Israel says he is a liar, and that his organisation has been infiltrated by Hamas. But I felt it was important to talk to him for a number of reasons.

‘First off, the British government deals with him, and funds his organisation. Which is the largest dealing with Palestinian refugees. They know a lot of what is going on, so therefore I think it is important to speak to people like him.’

As Cook observed, Bowen would never preface an interview with Netanyahu in a similar way:

‘The International Criminal Court has issued an arrest warrant for the Israeli prime minister, accusing him of crimes against humanity. But I felt it was important to talk to him for a number of reasons.’

During the interview, Lazzarini told Bowen that he was running out of words ‘to describe the misery and the tragedy affecting the people in Gaza. They have been now more than two months without any aid’. The UNRWA chief added:

‘Starvation is spreading, people are exhausted, people are hungry… we can expect that in the coming weeks if no aid is coming in, that people will not die because of the bombardment, but they will die because of the lack of food. This is the weaponisation of humanitarian aid.’

Cook noted:

‘Lazzarini’s remarks on the catastrophe in Gaza should be seen as self-evident. But Bowen and the BBC undermined his message by framing him and his organisation as suspect – and all because Israel, a criminal state starving the people of Gaza, has made an entirely unfounded allegation against the organisation trying to stop its crimes against humanity.’

He continued:

‘This is the same pattern of smears from Israel that has claimed all 36 hospitals in Gaza are Hamas “command and control centres” – again without a shred of evidence – to justify it bombing them all, leaving Gaza’s population without any meaningful health care system as malnutrition and starvation take hold.’ [Our emphasis]

As Cook pointed out, it is quite possible that it was not Bowen’s choice ‘to attach such a disgraceful disclaimer to his interview. We all understand that he is under enormous pressure, both from within the BBC and outside.’ But just imagine the huge moral standing and public impact it would have if Bowen resigned from the BBC, citing the intolerable pressure not to speak the full truth about Israel’s genocide and war crimes.

For those with long memories, recall the exceptional courage and honesty when two senior UN officials, Denis Halliday and Hans von Sponeck, resigned in 1998 and 2000, respectively, rather than continue to administer the ‘genocidal’ (their term) UN sanctions against Iraq that had led to the deaths of up to 1.5 million people, including around half a million children under the age of five.

One of the most insidious forms of ‘bad’ BBC ‘journalism’ is propaganda by omission, as we have noted in media alerts over the years (for example, see here and here). On 13 May, the investigative news organisation, DropSite, reported that Israeli troops had shot and killed Mohammed Bardawil, a 12-year-old boy. He was one of only four surviving eyewitnesses of the Israeli military’s execution of 15 paramedics, rescue workers and UN staff in Rafah, Gaza, in March 2025.

DropSite noted:

‘Mohammed had testified that some of the paramedics were shot at point-blank range – “from one meter away.” He was also interviewed by The New York Times for their investigation into the massacre, though his most damning claims were omitted from their final report.’

DropSite added:

‘Mohammed had been scheduled for a second round of testimony with investigators, this time with pediatric psychologists present. Instead, the 12-year-old war crime witness was killed by Israeli forces.’

At the time of writing, it is unclear whether he was specifically targeted in an attack, or caught up in an Israeli raid.

This shocking news has been blanked by the BBC, as far as we can see from searching its website. Indeed, our search of the Nexis newspaper database reveals not a single mention in any UK newspaper.

Imagine if Russia had executed fifteen Red Cross medics, first responders and a UN staff member in Ukraine, burying them in a mass grave along with their vehicles, including an ambulance.

Imagine if Russia had lied about this appalling war crime, as proved by footage recovered from the telephone of one of the executed victims.

Imagine if a 12-year-old Ukrainian witness to this Russian war crime was later shot dead by Russian soldiers. His killing would have been major headline news around the world and serious questions would have been asked.

The Fiction of BBC ‘Transparency’

As mentioned, BBC editors love to proclaim their accountability to the public and transparency of their editorial processes. How, then, would they explain their secrecy in holding private meetings with one of Israel’s former top military officers during Israel’s genocidal war against Gaza?

Declassified UK is a small publicly-funded independent news organisation that runs rings around BBC News, and the rest of the ‘mainstream’ media, on UK foreign policy and the impact of British military and intelligence agencies on human rights and the environment. Declassified UK reported earlier this year that BBC, Guardian and Financial Times editors had secret meetings with Israeli General Aviv Kohavi one month after the Gaza bombardment began.

In attendance were Katherine Viner, editor-in-chief of the Guardian, Richard Burgess, director of news content at the BBC, and Roula Khalaf, editor of the Financial Times. According to documents obtained under the Freedom of Information Act, Kohavi’s itinerary also included meetings with Sky News chairman David Rhodes at the Israeli embassy, and then shadow foreign secretary David Lammy, between 7 and 9 November 2023.

Kohavi had only stepped down from running Israel’s military months earlier. According to Declassified UK’s investigation, Kohavi had subsequently been ‘tasked with cultivating support for Israel as it escalated its brutal military offensive in Gaza.’

A journalist who was working for the BBC at the time of the visit told Declassified UK:

‘I don’t recall any internal correspondence about the meeting, which the BBC would ordinarily send out if there was a high-profile visit of this kind. I also find it very difficult to believe that the organisation would hold an equivalent meeting with the Hamas government.’

The journalist, who requested anonymity, added:

‘Not only is Kohavi’s visit unprecedented but it’s also outrageous that one of the most senior editors at the BBC should court company with a foreign military figure in this way, especially one whose country stands accused of serious human rights violations.

‘It further undermines the independence and impartiality that the BBC claims to uphold, and I think it has done irreparable damage to any trust audiences had in the corporation.’

Des Freedman, a professor of media at Goldsmiths, University of London, told Declassified UK he could find no mention of General Kohavi in any BBC, Guardian or FT coverage since 2023, when searching on the Nexis database.

He added:

‘Obviously off the record briefings have a place in journalism. However, meeting secretly with a senior IDF representative in the middle of a genocidal campaign as part of an organised propaganda offensive raises serious questions about integrity and transparency.

‘You would hope that news titles would go out of their way to avoid accusations of bias by rejecting the offer to meet privately and instead to put such meetings on the record. In reality, editors at the Guardian, BBC and FT appear willing to open their doors to Israeli spokespeople – no matter how controversial and offensive – in a way which is denied to Palestinian representatives.’

Conclusion: ‘Palestine Is The Rock’

The function of the major news media, very much including BBC News, is not to fully inform or educate the public about what our governments or other elite forces in society are doing. Their primary role is to maintain structures of state and corporate control that keep the public away from the levers of power.

Jason Hickel, a professor of anthropology at the Autonomous University of Barcelona and a visiting fellow at the London School of Economics, made these cogent observations recently via X:

‘Palestine is the rock on which the West will break itself.

‘Put yourself in the shoes of people in the global South. For nearly two years they have watched how Western leaders, who love to talk about human rights and the rule of law, are happy to shred all these values in the most spectacular displays of hypocrisy in order to prop up their military proxy-state as it openly conducts genocide and ethnic cleansing against an occupied people, even in the face of *overwhelming* international condemnation.’

He continued:

‘What do you think people in the South are supposed to conclude from this?  What would *you* conclude from this in their position?  Decades of Western propaganda have been shattered, this time in full technicolour. Western governments have made it clear that they do not care about human rights and the rule of law when it comes to people of colour, the global majority.’

In fact, Western governments do not even care about human rights and the rule of law in their own countries, where these conflict with the requirements of power and control by elites. As Noam Chomsky has pointed out over many decades, ‘there is a very elaborate propaganda system’ in capitalist societies:

‘involving everything, from the public relations industry and advertising to the corporate media, which simply marginalizes a large part of the population. They technically are allowed to participate by pushing buttons every few years, but they have essentially no role in formulating policy. They can ratify decisions made by others.’

(Noam Chomsky and James Kelman, Between Thought and Expression Lies a Lifetime: Why Ideas Matter, PM Press, 2021, p. 159)

BBC News is a crucial component of this elaborate propaganda system. No amount of self-serving managerial rhetoric about ‘trust’, ‘transparency’ and ‘impartiality’ can refute that fundamental reality.

This content originally appeared on Dissident Voice and was authored by Media Lens.

It aired on 17 February on BBC Two, but was swiftly removed from iPlayer four days later, following fierce lobbying from pro-Israel voices. The reasons given for its removal? Well, they simply don’t add up.

The main objection was that the father of Abdullah, the 13-year-old narrator, is the deputy minister of agriculture in Gaza’s Hamas-run government. But like it or not, it’s a fact of life in Gaza that almost anyone living there will have some connection to Hamas. Hamas runs the government, so anyone working in an official capacity must also work with Hamas. Not only that, but Abdullah’s father is hardly a “terrorist leader” as was claimed. He is a technocrat, in a role concerned with agriculture, not politics or military, who even studied at UK universities.

Other objections included the risk of payments potentially funding Hamas. But as Hoyo Films and now the boy himself have confirmed, Abdullah was paid a very small sum via his sister’s bank account which was used to cover basic living expenses. And the complaints around the use of antisemitic language have been rebuffed by many – including Jewish Voice for Labour. The word ‘“Yehudi” is simply Arabic for “Israeli,” and is used by Jewish Israeli journalist Yuval Abrahamto to describe himself in the Oscar-winning film No Other Land.

Crucially, absolutely nothing in the film has been found to be factually inaccurate.

The film received five stars in the Guardian and the Times, which described it as “exceptional”. It’s an outstanding, powerful film and a crucial piece of journalism. Since international journalists are banned from Gaza, there are scant opportunities to witness Gazan children’s stories. This film gave us a small insight and humanised Palestinian children.

Why then, is an innocent child, the victim of unimaginable suffering, put under such intense scrutiny as to whether or not they should be allowed to tell their story?

Consider the source

When you consider the source of the complaints, you can’t help but feel like the humanisation of Palestinians was precisely the problem.

Spearheading the campaign to have the documentary removed from public view was Tzipi Hotovely, Israel’s ambassador to the UK. Throughout her political career, Hotovely has gone out of her way to dehumanise Palestinians, accusing them of being “thieves of history” who have no heritage, and calling the Nakba – the violent mass displacement of Palestinians – “an Arab lie.” More recently, she claimed there was “no humanitarian crisis” in Gaza.

Despite strong counterprotests from a far greater number of people wanting the documentary to stay put – including over 1,000 industry professionals and more than 600 British Jews – the BBC bowed to pressure from the pro-Israel lobby, and dutifully took the documentary down.

That’s why I decided to start a petition, calling on the BBC to reconsider its decision, and allow Palestinian children their right to be heard. The petition quickly gained lots of support and now has over 25,000 signatures.

Failing Palestinian children

Not long after I started the petition, it emerged that Abdullah, the film’s 13-year-old narrator, has experienced harassment as a result of the kickback against the film, and now fears for his life. “I did not agree to the risk of me being targeted in any way”, he said. And “[if] anything happens to me, the BBC is responsible for it.”

Putting children’s safety and mental wellbeing at risk is not only blatantly wrong, but is in breach of the BBC’s own guidelines on safeguarding young people. Sadly, Abdullah’s was not an isolated case.

In a recent interview with the Independent, former BBC newsreader Karishma Patel explained her reason for quitting the BBC: its longstanding refusal to show the full extent to which Irael is harming Palestinian children. She recalls how she begged the BBC to cover five-year-old Hind Rajab’s story while she was still alive, trapped inside a car with her murdered relatives. The BBC chose not to, only naming her after she was killed, and not even making clear in the headline who had done it. “The BBC failed Hind,” says Patel. “And it has failed Palestinian children again in pulling the [Gaza] documentary.”

I’ve just written to Tim Davie, Controller-General of the BBC, to draw his attention to the huge number of people who want the documentary to be reinstated, and why the reasons put forward to justify its removal simply do not add up. I told him, “Anyone who is offended by a child sharing their lived experiences of survival can choose not to watch it. But do not deny innocent children – who have experienced unimaginable grief and loss – the right to tell their stories.”  You can read my full letter here.

Let’s see if he responds. The BBC didn’t bother reaching out to Abdullah to apologise to him after they pulled the film. So I’m not holding out too much hope.

This content originally appeared on Dissident Voice and was authored by Sylvia Monkhouse.

The corporation’s longstanding systematic protection of Israel, considered an ‘apartheid regime’ by major human rights organisations, has been particularly glaring since the country launched its genocidal attacks on Gaza in October 2023. We have all seen the repetition and amplification of the Israeli narrative above the Palestinian perspective, omission of ‘Israel’ from headlines about its latest war crimes committed in Gaza, and even the dismissive treatment by senior BBC management of serious concerns about bias raised by their own journalists.

The documentary focused on the experiences of several children trying to survive in Gaza under brutal attack by Israeli forces armed to the hilt with weaponry and intelligence from the US, the UK and other western nations. It transpired that the film’s narrator, 13-year-old Abdullah al-Yazuri, is the son of Ayman al-Yazuri, a deputy minister of agriculture in Gaza’s government which is administered by Hamas.

Mr al-Yazuri previously worked for the United Arab Emirates’ education ministry and studied at British universities, obtaining a PhD in chemistry from the University of Huddersfield. Middle East Eye (MEE), an independently-funded online news organisation covering stories from the Middle East and North Africa, described him as ‘a technocrat with a scientific rather than political background’, pointing out that ministers, bureaucrats and civil servants in Gaza are appointed by Hamas.

Indeed, as MEE explained:

‘Many Palestinians in Gaza have family or other connections to Hamas, which runs the government. This means that anyone working in an official capacity must also work with Hamas.’

A campaign was launched by pro-Israel voices, including Tzipi Hotovely, Israel’s ambassador to the UK, and Danny Cohen, a former director of BBC television, to pressure the BBC to drop the documentary from iPlayer, soon after it was broadcast on BBC Two on 17 February.

Despite a countercampaign by over 1,000 media and film professionals objecting to the ‘racist’ and ‘dehumanising’ targeting of the documentary by supporters of Israel, the BBC quickly caved in, apologising for ‘mistakes’ that they deemed ‘significant and damaging’. Notably, however, the BBC did not point to any errors or inaccuracies in the actual editorial content of the programme.

The broadcaster attempted to divert some of the blame onto the independent company, Hoyo Films, who had made the documentary, saying that the BBC had not been told by the filmmakers that Abdullah al-Yazuri’s father was a deputy agriculture minister in the Hamas government.

Hoyo Films told the BBC it paid the boy’s mother ‘a limited sum of money for the narration’ via his sister’s bank account. A BBC spokesperson said:

‘While Hoyo Films have assured us that no payments were made to members of Hamas or its affiliates, either directly, in kind, or as a gift, the BBC is seeking additional assurance around the budget of the programme and will undertake a full audit of expenditure.’

Addressing MPs from the House of Commons Culture, Media and Sport Committee on 3 March, Samir Shah, the BBC’s chairman, said that:

‘This is a really, really bad moment. What has been revealed is a dagger to the heart of the BBC’s claim to be impartial and to be trustworthy, which is why I and the board are determined to ask the questions.’

Tim Davie, the BBC’s director general, told the MPs that after ‘failures in transparency’ he simply ‘lost trust’ in the production of the film and personally ordered it to be withdrawn:

‘It was a very difficult decision. What I did – and it was a very tough decision – was to say, at the moment, looking people in the eye, can we trust this film in terms of how it was made, the information we’ve got? And that’s where we made the decision. It’s a simple decision in that regard.’

In short, one child’s family connection with an official in the civilian administration of Gaza is supposedly reason enough to remove a vital documentary humanising Palestinians. This is an important film which redressed, to a marginal extent, the overwhelming pro-Israel bias displayed by the BBC over the past 18 months.

Meanwhile, the broadcaster repeatedly and prominently platforms the leaders and spokespeople of a state committing genocide and apartheid. Is it any wonder the public reputation of BBC News has likely nosedived yet further since 7 October, 2023?

As Mark Seddon, director of the Centre for UN Studies at the University of Buckingham and a former speechwriter for UN Secretary-General Ban Ki-moon, observed via X:

‘Tim Davie should perhaps get the BBC to do some sampling. He may discover that there is a significant body of public opinion that has [been], and is, losing faith in BBC news gathering which is increasingly parochial & transparently failing when it comes to Israel/Palestine.’

Although Davie insisted on the need for BBC ‘transparency’, he was not at all transparent when asked by Rupa Huq MP to name specific groups or individuals who had demanded the BBC withdraw the film. He declined to do so. One of those is, as mentioned, the Israeli ambassador to the UK who constantly repeats ludicrous propaganda such as ‘our only target is Hamas facilities’, and who has denied that there is any humanitarian crisis in Gaza.

Spineless BBC

As Chris Doyle, the director of the Council for Arab-British Understanding, noted:

‘By pulling [the] Gaza film, BBC shows it cannot stand up to Israel.’

By contrast, he pointed out that in 2003, the BBC aired a documentary on Israel’s nuclear programme, titled Israel’s Secret Weapon:

‘Israeli leaders hit the roof and banned its officials from appearing on the BBC.

‘The documentary was spot on. Israel was embarrassed at having its nuclear arsenal exposed when Iraq was being invaded for a non-existent stash of weapons of mass destruction.’

Doyle added:

‘The BBC did not cave in, and Israel lifted its boycott.

‘Twenty-five years later, the BBC has lost any semblance of a spine on Israel.’

British-Israeli historian Avi Shlaim, an emeritus professor of international relations at Oxford, said that the pulling of the film was ‘only the latest example of the public broadcaster’s regular capitulation to pressure from the pro-Israel lobby’. He continued:

‘The BBC has good reporters on Israel-Palestine, but its bosses are hopelessly compromised by their pronounced and persistent bias in favour of Israel.

‘The reason for this bias is not lack of knowledge but cowardice, the fear of antagonising Israel and Israel’s friends in high places in Britain.’

Richard Sanders, an award-winning producer who has made over fifty films in history, news and current affairs, including Al-Jazeera’s ‘October 7’ documentary, said:

‘Had the situation been reversed and an Israeli boy revealed to be the child of a junior minister in Netanyahu’s government the BBC might have felt obliged to issue one of its “corrections and clarifications” but it’s highly unlikely the film would have been withdrawn and the – extremely vulnerable – production team humiliated in such a public manner.’

Sangita Myska, dropped by radio broadcaster LBC in April 2024 after robustly challenging an Israeli spokesman live on air, wrote on X:

‘I was a BBC journalist for years. However well-intentioned the Gaza doco-makers were, they did not meet editorial standards of transparency BUT does that make a material difference to the overall accuracy of the film? Given the weight of supporting evidence: Probably not.’

She added:

‘I’m reliably informed that morale amongst some brilliant, committed, journalists is in free-fall over this.’

Sanders followed up with:

‘As another old hand who has spent more hours in sweaty edit suites with lawyers and commissioning editors than I care to remember I broadly agree with @SangitaMyska’s comments.

‘But I’d stress that a media environment where the victims of genocide, ethnic cleansing and apartheid are subjected constantly to the most intense scrutiny, while their tormentors and those who support them are all too often allowed a free pass is a distorted and frankly racist one.’

He added:

‘Gaza: How to Survive a Warzone remains by far the best thing the BBC has produced on Gaza and bore no evidence at all of any Hamas involvement in its editorial content.

‘It is deeply concerning that it is now being used as a stick to beat the BBC which must not allow itself to become even more cowed.’

In October 2024, the BBC had broadcast a documentary called, ‘Surviving October 7^th: We Will Dance Again’. The BBC’s description said:

‘A harrowing glimpse into the brutal assault on partygoers at the Nova Music Festival – one of the sites in Israel attacked by Hamas on 7 October 2023.’

As one user on X pointed out last week:

‘BBC made a documentary “We Will Dance Again”

‘Was there anyone in that documentary that was IDF or related to IDF?

‘Were there any serving soldiers or illegal settlers in the documentary.

‘Were any of their children in it?

‘As a @BBC licence payer, I demand an inquiry.’

Of course, the ‘demand’ for an inquiry was intended ironically and there was no response from the BBC. But the point was clearly made.

The Truth Exists

As mentioned in several of our previous alerts on Israel and Palestine, there is tremendous pressure on journalists working at BBC News to toe the Israeli line. Notably, since 7 October, use of the word ‘genocide’ has essentially been banned. Any time an interviewee mentions the word in a live setting, the BBC presenter intervenes to shut down the discussion. As one anonymous former BBC journalist said:

‘People [at the BBC] were terrified of using the word “genocide” in coverage. They still are. You will very rarely see it in any BBC coverage. And if an interviewee says the word “genocide”, the presenter will almost always panic.’

And whenever Israeli war crimes or breaches of international law are raised by a guest on a BBC television or radio programme, the BBC journalist will promptly add words to the effect that, ‘Israel denies that’ or ‘Israeli disputes that’. Such BBC repetition of one side’s viewpoint is rarely, if ever, seen when reporting or discussing Russia’s actions in Ukraine, for example, or more generally when addressing Moscow’s role in global affairs.

Karishma Patel, a former BBC researcher, newsreader and journalist, wrote recently about her reasons for leaving the BBC. She observed ‘a shocking level of editorial inconsistency’ in how the BBC covers Gaza. Journalists were ‘actively choosing not to follow evidence’ of Israeli war crimes ‘out of fear’.

Media Lens readers may recall the late Professor Greg Philo, head of the Glasgow Media Group, relating how he was once told by senior BBC editors that they ‘wait in fear’ for a phone call from the Israeli embassy in London whenever a news item appears on Israel or Palestine.

Patel continued:

‘Impartiality has failed if its key method is to constantly balance “both sides” of a story as equally true. A news outlet that refuses to come to conclusions becomes a vehicle in informational warfare, where bad faith actors flood social media with unfounded claims, creating a post-truth “fog”. Only robust evidence-based conclusions can cut through this.’

She described her horror at seeing images for the first time of a Palestinian man crushed to death by an Israeli bulldozer, adding:

‘To see such overwhelming evidence every day and then hear 50/50 debates on Israel’s conduct – this is what created the biggest rift between my commitment to truth and the role I had to play as a BBC journalist. We have passed the point at which Israel’s war crimes and crimes against humanity are debatable. There’s more than enough evidence – from Palestinians on the ground, aid organisations; legal bodies – to come to coverage-shaping conclusions around what Israel has done.’

As she rightly noted, ‘truth exists’ based on reasonable, verifiable evidence:

‘In a world where claims are constantly competing, a journalist’s job is back-breaking: it is to investigate and come to conclusions, rather than setting up constant debates – no matter who this angers and no matter how much work it takes.’

A perfect example is the fake ‘debate’ over the reality of human-induced climate change. Until very recently, the BBC created a spurious ‘balance’, where none exists, hosting exchanges between highly-credentialed climate scientists and climate ‘sceptics’ often linked to fossil fuel interests.

Patel observed:

‘In 2018, the BBC issued long overdue editorial guidance to its staff, stating: “Climate change IS happening.” There was a sigh of relief from climate scientists, after years spent warning the organisation its debates were harmful. Coverage would now be rooted in this evidence-based conclusion.’

She summed up:

‘When will the BBC conclude that Israel IS violating international law, and shape its coverage around that truth? As the old saying goes, the journalist’s job isn’t to report that it may or may not be raining. It’s to look outside and tell the public if it is. And let me tell you: there’s a storm.’

The withdrawal of the Gaza documentary has been followed by ‘torrents of online harassment and abuse targeting 13-year-old Abdullah and his family’, according to MEE. Abdullah said:

‘I’ve been working for over nine months on this documentary for it to just get wiped and deleted… it was very sad to me.’

Abdullah told MEE that the whole affair has caused him serious ‘mental pressure’ and made him fear for his safety.

A BBC spokesperson claimed:

‘The BBC takes its duty of care responsibilities very seriously, particularly when working with children, and has frameworks in place to support these obligations.’

Richard Sanders pointed out that ‘more than 200 journalists have been killed by the Israelis in Gaza’. He said that it was dangerous that:

‘the team that made this [film] are effectively being smeared as Hamas accomplices. And at the heart of the story we have a vulnerable child.’

In an interview with the Sunday National newspaper in Scotland, Patel said:

‘He [Tim Davie] was talking about distrusting the entire film on the basis of this connection that the child narrator has.

‘One of the things that occurred to me is the fact that the BBC over the past 15 or 16 months has on two different occasions willingly chosen to embed with the Israeli military and to be openly subject to its censor. That was Al-Shifa Hospital in Gaza quite early on and there was a Lebanese town as well, where a BBC correspondent followed the Israeli military into the town.

‘There is a lot of concern around potential influence over this documentary but there was very little public concern over our public broadcaster embedding with the Israeli military.’

In a message he addressed to the BBC, Abdullah said:

‘I did not agree to the risk of me being targeted in any way before the documentary was broadcasted on the BBC. So [if] anything happens to me, the BBC is responsible for it.’

Artists for Palestine UK, who organised the letter mentioned earlier with over 1,000 signatories demanding reinstatement of the film, warned that:

‘Tim Davie and Samir Shah are throwing Palestinian children under the bus.

‘BBC bosses must explain how they plan to safeguard the children who participated in the film. Their lives are in danger as Israel cuts off aid and threatens to collapse the ceasefire in Gaza. How will Britain’s public broadcaster ensure it isn’t putting a target on innocent kids’ backs?’

Abdullah finished by telling MEE that he is grateful to ‘all of those in the United Kingdom who had supported me, supported the documentary and had protested for the documentary to be put back on the BBC. I thank you all from the bottom of my heart, and continue your efforts that hopefully can and will return the movie back up on BBC. I hope that Gaza sees light again, that children of Gaza have a bright future again and everybody… sees a better future and a better tomorrow.’

He concluded by saying: ‘My wish is to study journalism [in] the United Kingdom.’

If Abdullah achieves his dream, it seems unlikely he will pursue a career in journalism with the BBC.

DC

Note. At the time of writing, ‘Gaza: How to Survive a War Zone’, can be viewed here on Rumble.

This content originally appeared on Dissident Voice and was authored by Media Lens.